future interview to allen ashley

Well, last year I’ve read Once and Future Cities; I would say it’s great! Allen Ashley made a masterful work – deep and thought provoking. I enjoyed the uniqueness, beauty, and attractive words; its so colorful!

Allen Ashley, with a complex and imaginative writing, ensures, always, one thing: originality.

I look forward with enthusiasm the new edition of his first book “The Planet Suite” and the anthology, edited by him, “Sensorama”; both will be published by Eibonvale Press.

1. Do you have a specific writing style?

Yes, I think I do, certainly with works above the flash fiction range. I consider myself something of a stylist so that the story should please the eye and sound good on the ear. My stories deal with a regular range of concepts – identity, memory, perception, reality, the individual, the span of history, love and loss. Often with buried references – musical and otherwise. I once went on record as saying that you could take a paragraph out of any of my stories and recognise it as mine. This is, of course, a dangerous assertion. Philip K. Dick – himself a recognisable stylist with regular themes – made the completely opposite assertion that any random paragraph from one of his pages would look just like anybody else’s. In my defence, I think of a writer like J. G. Ballard at his peak – even a sentence from him is recognisable as his and nobody else’s.

Sometimes I equate an individual fiction writing style with that of musicians. Thus, if you hear a song by, say, Kate Bush or The Byrds or Neil Young they will have put their own definitive stamp on it. Take The Beatles – no one would remember them now if they had simply carried on playing rock ‘n’ roll covers for 8 hours a night in a Hamburg bar or settled into a role as Tony Sheridan’s backing band. Instead, they developed their own unique sound and created the cultural revolution of the 1960s. Along with Bob Dylan and a few others.

I am always telling writers to develop their own voice. It’s probably counter-productive in terms of personal success because many publishers seem to want you to write just like whomever they consider to be the default successful template… but, hey, who wants to sound exactly like everybody else? Of current writers – Nina Allan, Rhys Hughes, Andrew Hook and the late Joel Lane all have a distinctive, personal style.

2. What books have most influenced your life?

Having attended two church schools as a primary aged child, I find that I quite often quote – rather vaguely – from “The Bible”. When I was boy, I had already read “The War of the Worlds” and “The Lost World”; then my school had a book fair and I purchased Arthur C. Clarke’s “The City and the Stars”. That was it: I was forever hooked on science fiction.

3. If you had to choose, which writer would you consider a mentor?

As a short story specialist, if I had to name one author it would undoubtedly be J. G. Ballard. I love the risks that he took within the short form, especially in a collection such as “The Atrocity Exhibition”. As a poet and sometimes singer, songwriter and general performer, I find that there is always a touch of Robert Calvert in my demeanour. Calvert was a poet, playwright, singer and musician who is best known for his association with the rock band Hawkwind: he wrote the lyrics for their major hit “Silver Machine”.

10271420

once and future cities

Can I name a few inspirers as editors as well? In this area I look to emulate the work of Judith Merril, Michael Moorcock, Harlan Ellison and Andrew Hook.

4. What are your current projects?

At point of writing – mid-January 2015 – I am guest-editing an issue of the online magazine “Sein und Werden” with the theme “The Restless Consumer”.
Here’s the link: http://www.kissthewitch.co.uk/seinundwerden/next_issue.html

On March 1st, I open for submissions to my next editorial project “Creeping Crawlers”, which I’m editing for Shadow Publishing.
Here’s the link: http://www.shadowpublishing.webeasysite.co.uk/index.html

I will be judging the British Fantasy Society Short Story Competition again this year.
Lastly, I’ve also set myself an ambitious target of writing half a century of different pieces of writing known as “The Fifty Project”.

Busy times!

5. How much research do you do?

That depends on the particular story, poem or article that I am working on at that point. I’ve undertaken all sorts of research – places visited, books devoured, buses caught, walks taken, even going so far as to deliberately poke myself in the eye to make sure that I recorded the correct resultant colours! These days, I suppose, research is a little easier with the availability of well-researched articles instantly accessible on Wikipedia and the like. They have a reasonably high degree of accuracy. I wouldn’t recommend this technique for your university essays but for when you simply need a snippet of straightforward information or clear answers – such as names of characters in mythology, etc – one can happily and rapidly research from one’s sofa. So I do.

6. Do you write full-time or part-time?

As well as writing, editing, event hosting and critically reading, I also run five creative writing groups. So, effectively, I write full time.

7. Where do your ideas come from?

This is the question that authors apparently can’t stand. However, it’s the one that interested readers usually want answered. I’ve given a few responses to this over the years. One was my story “The Ideas Mountain” in my collection “Urban Fantastic” (Crowswing Books, 2006) in which I facetiously created an actual secret mountain somewhere along the border between France and Belgium to which writers would make the occasional trek and dig out a handful of ideas to power them through their next project. Also, I have published a couple of articles such as “Birth of a Story” and “Unlikely Inspirations” which deal with specific stories. And I think that’s the answer to your question – each story has its own particular inspiration. It can be all sorts of things – a newspaper article, a conversation, my thoughts on someone’s guidelines for an anthology, a response to another artwork, something I’ve been thinking about whilst lying in bed at seven in the morning… Take your inspiration wherever you can and keep a notebook or a file on your computer along with a back-up on the memory stick.

8. How can readers discover more about you and you work?

My website is at www.allenashley.com but I have to own up that I have let it slip a little out of date. I promise to update it thoroughly very soon. There are photos, stories, quotes, links, whatever relating to me all over the internet. If you Google me, it’s “Allen Ashley” not “Ashley Allen” the ex-“Playboy” model! Or people can contact me via this address allen@allenashley.com which will forward to one of my email accounts.

eu e a barba

Como a Margarida me vê:
de barba e com phones.

musical interview to alexander zelenyj

“Songs for the Lost” was one of the best books I have read recently. Alexander Zelenyj has a complex and visionary writing and what I can say is how the book touched me for its beauty, for its insanity, for its soul, for its melancholy.

Alexander Zelenyj is a singular writer whose words beautifully crafted, with a sustained rhythm, still carries an effect, after placing the book on the shelf; he loves, clearly, pushing buttons in our brain.

1. Do you have a specific writing style?

Yes and no, I suppose. Yes, in that I think someone could recognize my writing no matter what genre or type of story it is. No, in that I actively enjoy writing in a variety of styles running the gamut from very verbose to more streamlined and minimalist.

2. What books have most influenced your life?

The dark fantasy short stories of Robert E. Howard, which was the first fiction I fell absolutely in love with as a child and without which I likely wouldn’t be doing the kind of writing I do today; early Ray Bradbury, so dark and poetic; Harlan Ellison, who showed me the limitless potential of fiction. And far too many more to list!

3. If you had to choose, which writer would you consider a mentor?

I would say Robert E. Howard, because it was in his writing that I first saw (although I didn’t realize it at the time) a seamless merging of genres. It was in his sword and sorcery stories that I first found a merging of the fantastical with realism with horror to create a very grim and believable world. Reading an REH story – especially his dark fantasy and historical fiction – I’ve always felt that anything can happen. There’s limitless potential in that kind of a story, and it’s been drawing me back into Howard’s clutches time and again since childhood.

4. What are your current projects?

I recently finished work on two manuscripts – one is a collection of magical realism-influenced literary short fiction, the other a novel much in the same vein. I’m really excited about them – I think it’s my strongest writing yet, and a lot different from my last couple of books. The prose style is a little more refined, the surreal motifs are woven into the gritty, realistic backdrop more subtly.

songs for the lost by alexander zelenyj

songs for the lost by alexander zelenyj

Also, I’m a good ways into another collection that’s a little more in line with the type of material of Songs For The Lost, very slipstream in style and pulling in influences from a lot of different genres. I’m also finishing up work on an expanded version of my first novel, Black Sunshine, scheduled for re-issue later in the year as a collaborative release from Fourth Horseman Press and Eibonvale Press, which will mark the book’s 10th anniversary.

5. How much research do you do?

I read a lot of non-fiction, and I find that this often inspires me to write fiction with certain backdrops and so forth, so in a way I’m always doing research because I’m constantly reading and learning things that often find their way into my fiction writing.

6. Do you write full-time or part-time?

I’ve made a habit of writing every day for several hours, without fail. I’ve been doing that for years so at this point it’s very natural to me. It’s like breathing, I don’t really have to think about it, it just happens as part of my regular day to day life.

7. Where do your ideas come from?

I have no idea, other than to say they come, in some form or other, from my love of stories. I’ve always loved telling stories, and being told stories, whether in the form of a book, a song, another person telling me a story from their life. Often when I sit down to write I want to convey a certain mood or atmosphere that I’m feeling particularly strongly, and I go from there, with everything else falling naturally into place from there on in.

8. How can readers discover more about you and you work?

By visiting either my website – alexanderzelenyj.com – or the websites of my publishers, Eibonvale Press – eibonvalepress.co.uk – and Fourth Horseman Press – fourthhorsemanpress.com. Or by reading one of my books!

magical interview to sissy pantelis

I first met Sissy Pantelis in The Ironic Fantastic # 1, the story “Hunted”; it was love at first letter – two “first” can be a redundancy, but it was what I could write.
She creates the most charming stories that I’ve read with words that are endearing and amusing. I can feel, always, alive the sense of wonder and imagination that inhabited Sissy’s heart and mind; completely drawn into her worlds don’t knowing if I am going to cry, laugh… hypnotic and touching words she have.
“How fine is the line between fantasy and reality? And if we unleash our imaginations, just how far will they take us?” – answers that can be found at Sissy’s stories.Shame on me for not knowing her soon – but the fault is all mine.

1. Do you have a specific writing style?

I always try to write clearly for the readers. My priority is to be understood – not to make beautiful, long sentences. I don’t think that my style is literary and complicated. I prefer short, clear sentences that people can understand and I try to keep writing in this style. I am also very attentive to rhythm issues – but this is something intuitive, I cannot explain it rationally. I am not good at long narratives and long and complicated descriptions, so I try to avoid them.

2. What books have most influenced your life?

Shakespeare’s Midsummer Night’s Dream. All fairy tales and mythology- maybe Hans Christian Andersen’s fairy tales more than the rest. Greek mythology and Aesope’s myths. And the Brothers Karamazov by Dostoievsky – Crime and Punishment too. When I read Dostoievsky, I felt something difficult to put in words- like an earthquake in my head. I have always loved everything by Oscar Wilde and my philosophy is very much influenced by the Tao Te Ching and the Taoist Philosophers (NOT the religion – the philosophy).

3. If you had to choose, which writer would you consider a mentor?

Oscar Wilde. Also Hans Christian Andersen (he also was a major influence for Oscar Wilde) and Shakespeare with Midsummer Night’s Dream. I have found out that many of my stories were influenced or inspired (even at a sub conscious level) by Midsummer Night’s Dream).

4. What are your current projects?

My comics. If you want to know more about them, please read my interview here:
http://forums.jazmaonline.com/topic.asp?TOPIC_ID=7235

blue sparkles

blue sparkles

Her current comics projects are, and quoting:

Blue Sparkles is a story of a cursed love. The two young lovers escape to Dreamland to be together, but even there, it seems that the curse follows them. The story is inspired by Shakespeare’s Midsummer Night’s Dream, one of the major influences on my imagination. Art in Blue Sparkles is by wonderful French artist Aurore Barois (aka VURORE).

Sissy Pantelis


Red Nightmare is a story about change and its consequences. It is a story of a cruel king, who decides to change after a hallucination he has while he visits a witch (whom he tortures at first). It is also about being at peace with your own self, about inner harmony. I found out that it was a very important thing and maybe one of the most difficult tasks one can attempt in his lifetime. Now, Red Nightmare is NOT a philosophy book; it is a fairy tale featuring anthropomorphic animals. As all my stories, it is first aimed to entertain and make readers dream. But change has always been an important factor in my life and the main theme of this story is change. The artist working on this story is Italian artist Danilo Antoniucci. I am extremely happy and honored that Danilo accepted this collaboration. I love his art, but I am not the only one to admire Danilo’s talent, so he has a lot of work with his own comics and I can only be grateful that he also works with me.

Sissy Pantelis


Dark Siren is the story of a young girl that discovers that she has a wonderful gift, but her gift can harm other people – especially those who offend her. The young girl is scared, so she leaves her home fearing she may inadvertently harm her family. Then she finds out that she is not alone to possess that kind of poisonous gift. Dark Siren is a special story to me. First, there is something of me in the main character of the story. For a long while, I thought that dreaming and writing was a sort of curse cast on me… To come back to Dark Siren, my young niece helped me a lot in making the story and gave me many ideas for the plot; that was a wonderful experience. And last (but not least), the artist working on this story is José Leonardo aka The Chulo. José is from Colombia and his style is very special. I believe that José has really given this story another dimension. He is extremely gifted and he is now also working on the characters of a movie (by the people who did How to Train Your Dragon).

Sissy Pantelis

I have other projects- among other things, I have one or two novels in mind, but that will be for much later so we would rather speak about them in the future than now.

5. How much research do you do?

Quite a lot actually. Most of my stories are pure fantasy and the true things in them are very few, but I need to do a lot of research to get inspiration.

6. Do you write full-time or part-time?

I write full time and I don’t wish to change this – writing is a passion and doing something else at the same time is a big mistake, I found out at a great cost a few years back.

7. Where do your ideas come from?

I am not sure. Sometimes from fairy tales; but I also get a lot of ideas by listening to music or through my dreams!!! 🙂

8. How can readers discover more about you and you work?

I am on Deviant Art: http://gliovampire.deviantart.com – I try to keep the journal updated when anything new comes out.
I am also on FB: https://www.facebook.com/sissy.pantelis and this is my author page:
hhttps://www.facebook.com/pages/Sissy-Pantelis/232168253548554
I have also created a page for Blue Sparkles:
https://www.facebook.com/PuckBlueSparkles
and José and I created a page for Dark Siren:
https://www.facebook.com/darksirengn

If you want to follow my work, you are welcome to follow any of those pages and I am always happy to see comments and answer any questions of the readers.

unlikely interview to poppet

From “Moonshine Express” I already wrote…

A story, told in two hands, full of wonderful words, where each sentence is packed with poetry. The narration in the first person brings another taste to the story and the ending is not an ending, but the beginning of all – wonderful.

… it was my first contact with this writer and what contact – it burns!

Since then I’ve read other works and it has always been an enjoyable read; although I recognize that some of her stories are for a more feminine public. Is the woman inside me who is talking.

1. Do you have a specific writing style?

Yes. My style is very much an internal private monologue whilst the characters interact with the cameo and other characters. Because of this my novels are almost always written in first person.

2. What books have most influenced your life?

Horror writing has probably had the biggest impact on me. It’s odd that, because I found a medical case study on how we form memories (doing research into what I consider a form of lunacy), and the memories we don’t forget are the traumatic ones, we hardly ever remember the good times because we’re hard wired to remember the worst times. As such the fact that I can recall almost every horror novel I’ve ever read, tells me it’s the best way to influence a world. People will remember you if you’re horrific. From an early age I loved horror novels (and movies. Books like The Amityville Horror (based on a true story), then older I found Dean Koontz and Stephen King. I loved Koontz’s Phantoms, and Night Chills. However I also enjoyed action novels and the dystopian kind (like 1984 by George Orwell), I fell in love with novels like Cujo (Stephen King), The Freedom Trap (Desmond Bagley), The Omen (David Seltzer), Ninja (Eric Van Lustbader).

You can tell how old I am by the books I’ve listed here as being influential on me. At that time Jilly Cooper, Jackie Collins, Danielle Steel, and Shirley Conran, were all the rage for women to be reading (and things like Valley of the Dolls) – yet I read those books and they left zero impact. I always found books written by men, for men, far more action packed, intelligent, and engaging. I’m not dissing those other authors, they write excellent stories, but the love/scandal genre was something I only dabbled in once I hit my thirties. I found I could only write love stories in a paranormal setting, with a hint of horror in each and every one.

3. If you had to choose, which writer would you consider a mentor?

I haven’t had personal dealings with any author who ended up being a mentor, but I can say that Charles De Lint’s combining Urban Fantasy with Legend and folklore really gave me the courage to write in this genre myself. Never before had I come across an author doing what he was doing, and subsequently he became my favourite author.

4. What are your current projects?

Too many to list. Having a day job means I rarely have the time to write all the stories already begun and waiting on my computer.

poppet

5. How much research do you do?

Probably too much. I take research to the nth degree.

6. Do you write full-time or part-time?

I used to write full time and loved it, it made me so very happy, but now I only write part time as I have other responsibilities now.

7. Where do your ideas come from?

Everywhere. Anything can spark an idea, even a song. But mostly my inspiration comes from dreams. IE last night I dream I was distracting a serial killer away from my best friend and a work colleague of hers, so she could get away, and it was like being in a murder mystery because I overheard him on the phone, he’d set the whole thing up, he never wanted her after all. This was his experiment.

8. How can readers discover more about you and you work?

I have audiobooks available now, with a horror due out in March (audiobook), you can find my work in paperback and ebook format, or you can peruse my websites or my publishers websites (Wild Wolf Publishing, Thorstruck Press, Eibonvale Press). You can also follow me on Facebook for snippets from upcoming novels and new releases

https://authorpoppet.wordpress.com
http://authorpoppet.weebly.com

http://www.thorstruckpress.com
http://www.eibonvalepress.co.uk
http://wildwolfpublishing.com

https://www.facebook.com/pages/Poppet/197111090356326

fantastic interview to lou antonelli

Lou Antonelli started writing fiction in middle age; his first story was published in 2003 when he was 46. He’s had 89 short stories published in the U.S., U.K., Canada and Australia, in venues such as Asimov’s Science Fiction, Jim Baen’s Universe, Dark Recesses, Andromeda Spaceways In-Flight Magazine, Greatest Uncommon Denominator (GUD), Daily Science Fiction, and Omni Reboot, among others.
His collections include “Fantastic Texas” published in 2009; “Texas & Other Planets” published in 2010; and “The Clock Struck None” and “Letters from Gardner”, both published in 2014.
He was a finalist in 2013 for the Sidewise Award in Alternate History.
His story “Great White Ship”, originally published in Daily Science Fiction, was a 2013 finalist for the Sidewise Award for alternate history.
A Massachusetts native, he moved to Texas in 1985 and is married to Dallas native Patricia (Randolph) Antonelli. They have three adopted furbaby children, Millie, Sugar and Peltro Antonelli.

lou antonelli

lou antonelli

Since I read his story published on The Ironic Fantastic # 3, I bought shortly after “The Clock Struck None” that I hope to read as soon as I clean the current stack of books. I’ve read other stories and from what I read is an author that I recommend with my eyes closed.

1. Do you have a specific writing style?

The Encyclopedia of Science Fiction says “In a spare, swift, convincing narrative style, conveying in a deadpan voice a wide array of sometimes paranoid suppositions about the world, Antonelli juxtaposes realities with very considerable skill…” That’s a very good analysis. My style is very matter-of-fact because it is a natural outgrowth of my career as a journalist.

2. What books have most influenced your life?

Strangely enough, none of them fiction. I didn’t start writing fiction until I was 42, so the formative books I read when I was young were non-fiction. “Lovely is the Lee” by Robert Gibbons was one, “Asking for Trouble” by South African journalist Donald Woods is another. All the s-f I read when I was young were in magazines. I’ve always liked short stories, and not just in s-f; I’ve always been a great admirer of O. Henry.

3. If you had to choose, which writer would you consider a mentor?

Howard Waldrop. I loved his work when I was just a reader, and when I started writing and sought him out, I found him friendly and very accessible.

4. What are your current projects?

After having 90 short stories published in eleven years, and four collections, I’ve been told by multiple people I need to write a novel. I think that makes a lot of sense, there are people out there who are curious as to what I could produce at book-length.

5. How much research do you do?

Less than you would imagine. I don’t write hard s-f, I don’t have the mind for hard science. Most of my research consists of checking to see whether I remember correctly something I already knew.

6. Do you write full-time or part-time?

Part-time.

7. Where do your ideas come from?

Phrases or images that come out of my mind and persist. Stephen King said he doesn’t need to make up plots for horror stories, he just remembers his nightmares. I do the same, but with my daydreams. The time I saw a cloud that reminded me of a dirigible stuck in my brain and after a number of years germinated as my Sidewise Award nominated story “Great White Ship”.

8. How can readers discover more about you and you work?

My blog is www.louantonelli.blogspot.com

I have a reprint blog at http://www.otherwisealternatehistory.blogspot.com

My collections are available at
http://www.merryblacksmith.com
http://www.fantasticbooks.biz
http://www.yarddogpress.com

Heck, just email me at solacesdaddy@yahoo.com

inconvenient interview to jason e. rolfe

My first contact with the writing of Jason E. Rolfe occurred when I bought (30.05.2013) the novel Synthetic Saints published by Vagabond Press Books. At that time I didn’t know that he “was a French writer and humorist born in Honfleur, Calvados. He was the author of many collections of whimsical writings. A poet as much as a humorist, he cultivated the verse form known as holorhyme…oh wait, that’s Alphonse Allais. This bio is for who? Jason E. Rolfe? I have no idea who that is.” – bio found at Sein und Werden (Now We Are Ten).


Jason E. Rolfe is a worthy successor to Alphonse Allais

Norman Conquest

Jason is someone that can turn my gloomy days into sunny days, because he’s not only fascinating as a writer but as a person.

1. Do you have a specific writing style?
Not really. I like to think of myself as an absurdist, but the truth is I’m not purely absurd. I’ve been called “darkly comic”, which sounds good to me.

2. What books have most influenced your life?
Well, I’m easily influenced so it’s difficult to say. I’ve evolved as a reader, and as a result I’ve changed considerably as a writer. I would say the books that have influenced me the most as a writer have been “Incidences” by Daniil Kharms and “I Am a Phenomenon Quite Out of the Ordinary: The Notebooks, Diaries and Letters of Daniil Kharms” edited by Anthony Anemone and Peter Scotto, along with “The World of Alphonse Allais” translated and edited by Myles Kingston and “The Best of Myles” by Myles na Gopaleen (Flann O’Brien). In terms of the “life” influence in your question, I would say Beckett’s “Waiting for Godot” sits atop a pile that also includes Daumal’s “A Night of Serious Drinking” and “You’ve Always Been Wrong”. There are many, many others I’ve been influenced by, but these are the biggest.

3. If you had to choose, which writer would you consider a mentor?
Although they likely don’t see themselves this way, I would consider Rhys Hughes and Brendan Connell mentors. I respect what they do and value what they say, and have frequently been inspired by their unique works. In a roundabout sort of way I also consider Alphonse Allais and Daniil Kharms mentors in that I study their work, try to understand it and them, and hope to apply the lessons I learn to my own writing.

4. What are your current projects?
Ugh. I have been plugging away at a Vienna novel for several years now. It’s certainly an absurd thing. My goal is to have it done this year. I’m working on a collection of short stories as well. A number of the stories have already been published (you can catch some of them in the nonsense issue of Black Scat Review, which is still available from Black Scat Books!). It would be nice to have those two things done and submitted by the end of 2015, but we’ll see. I have an essay I really want to finish, and some editorial projects I need to wrap up too

.5. How much research do you do?
It depends. I did very little research while writing the stories in “An Inconvenient Corpse”. I’ve done loads of research while working on my Vienna novel. I suppose it depends on the type of story. The incidents in “An Inconvenient Corpse” were less about the detail and more about the point I was trying to make with them. If the detail has a role in the story I’ll research it. If not, I probably won’t bother.

6. Do you write full-time or part-time?
Is there something less than part-time? Because if there is, that’s what I write. I have a full time job, I’m a full-time parent, I’m taking university courses part-time, and I’m devoutly lazy, so writing usually gets lost in the shuffle.

7. Where do your ideas come from?

ee669

Again it depends. The ideas that spawned “An Inconvenient Corpse” were, for the most part, inspired by people and incidents in my life. Two of them, “Unknown Famous Writer” and “A Heavy Burden” were inspired by posts I read on Facebook, oddly enough. The stories in my Vienna novel were inspired by historical events while my Daniil Ivanovich stories are inspired by the (all-too-easy to prove) belief that the world is complete and utter nonsense.

8. How can readers discover more about you and you work?
They can follow me on Facebook (which I frequent far too frequently given the lack of time I have for other things), Twitter (if and when I remember my password), and on my blog (www.jasonrolfe.wordpress.com). They’re more than welcome to pick up my short collection, “An Inconvenient Corpse”, which is #30 in Black Scat Books’ “Absurdist Texts & Documents” series.

what the giants were saying by david rix

What the Giants Were Saying is accompanied here by the shorter work that inspired it, Red Fire, a piece that pushes the boundaries of extreme horror into a visionary and surreal world of love and pain, great white moths and tattooed skin, and above all, into the world of story itself.

Eibonvale Press

What the Giants Were Saying, with a perfect set up and with a great structure, is a strange story about domination and guilty, about dreams and fear, about pain, about hell and anguish, about refuge: no salvation, no cure. What the Giants Were Saying is a trip in your mind. Is deep, complex and multi-layered. Lots to take in, lots to read again and enjoy.

David Rix takes things to the extreme. It’s delightful how the story constantly establishes new points without ever getting monotonous. It gets hard to believe that the ending will be able to explain everything and I start speculate about that there can only be one possible conclusion for all the events – no conclusion at all.

To me the biggest achievement of the book is, that it’s never creepy just for the sake of freaking the reader out; every line has its purpose. Nonetheless, it is a very disturbing, but also compelling and mesmerized, book.

revista minatura #140

Terei a minha história – do not kill in our backyard – publicada na revista miNatura #140 (2015) sobre o tema Space Western.

A história original tem muito mais do que 25 linhas e espero brevemente a publicar, aqui, no blog. Necessito apenas de afinar umas linhas.

A capa desta edição é da responsabilidade de Miguel Gámez Cuevas/ MarsHopper

the slow regard of silent things by patrick rothfuss

Some days simply lay on you like stones. Some were fickle as cats, sliding away when you needed comfort, then coming back later when you didn’t want them, jostling at you, stealing your breath.

from The Slow Regard of Silent Things

Esta história de Patrick Rothfuss é realmente diferente, não me recordo de ter lido algo em que a personagem principal, Auri (tão frágil, tão forte), interage com objectos inanimados como se estes tivessem alma. Sem qualquer diálogo o livro narra sete dias da sua vida com uma mestria imparável.

É um história estranha, mas que adorei, porque existe “a place for everything and everything in its place