Artigos

future interview to allen ashley

Well, last year I’ve read Once and Future Cities; I would say it’s great! Allen Ashley made a masterful work – deep and thought provoking. I enjoyed the uniqueness, beauty, and attractive words; its so colorful!

Allen Ashley, with a complex and imaginative writing, ensures, always, one thing: originality.

I look forward with enthusiasm the new edition of his first book “The Planet Suite” and the anthology, edited by him, “Sensorama”; both will be published by Eibonvale Press.

1. Do you have a specific writing style?

Yes, I think I do, certainly with works above the flash fiction range. I consider myself something of a stylist so that the story should please the eye and sound good on the ear. My stories deal with a regular range of concepts – identity, memory, perception, reality, the individual, the span of history, love and loss. Often with buried references – musical and otherwise. I once went on record as saying that you could take a paragraph out of any of my stories and recognise it as mine. This is, of course, a dangerous assertion. Philip K. Dick – himself a recognisable stylist with regular themes – made the completely opposite assertion that any random paragraph from one of his pages would look just like anybody else’s. In my defence, I think of a writer like J. G. Ballard at his peak – even a sentence from him is recognisable as his and nobody else’s.

Sometimes I equate an individual fiction writing style with that of musicians. Thus, if you hear a song by, say, Kate Bush or The Byrds or Neil Young they will have put their own definitive stamp on it. Take The Beatles – no one would remember them now if they had simply carried on playing rock ‘n’ roll covers for 8 hours a night in a Hamburg bar or settled into a role as Tony Sheridan’s backing band. Instead, they developed their own unique sound and created the cultural revolution of the 1960s. Along with Bob Dylan and a few others.

I am always telling writers to develop their own voice. It’s probably counter-productive in terms of personal success because many publishers seem to want you to write just like whomever they consider to be the default successful template… but, hey, who wants to sound exactly like everybody else? Of current writers – Nina Allan, Rhys Hughes, Andrew Hook and the late Joel Lane all have a distinctive, personal style.

2. What books have most influenced your life?

Having attended two church schools as a primary aged child, I find that I quite often quote – rather vaguely – from “The Bible”. When I was boy, I had already read “The War of the Worlds” and “The Lost World”; then my school had a book fair and I purchased Arthur C. Clarke’s “The City and the Stars”. That was it: I was forever hooked on science fiction.

3. If you had to choose, which writer would you consider a mentor?

As a short story specialist, if I had to name one author it would undoubtedly be J. G. Ballard. I love the risks that he took within the short form, especially in a collection such as “The Atrocity Exhibition”. As a poet and sometimes singer, songwriter and general performer, I find that there is always a touch of Robert Calvert in my demeanour. Calvert was a poet, playwright, singer and musician who is best known for his association with the rock band Hawkwind: he wrote the lyrics for their major hit “Silver Machine”.

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once and future cities

Can I name a few inspirers as editors as well? In this area I look to emulate the work of Judith Merril, Michael Moorcock, Harlan Ellison and Andrew Hook.

4. What are your current projects?

At point of writing – mid-January 2015 – I am guest-editing an issue of the online magazine “Sein und Werden” with the theme “The Restless Consumer”.
Here’s the link: http://www.kissthewitch.co.uk/seinundwerden/next_issue.html

On March 1st, I open for submissions to my next editorial project “Creeping Crawlers”, which I’m editing for Shadow Publishing.
Here’s the link: http://www.shadowpublishing.webeasysite.co.uk/index.html

I will be judging the British Fantasy Society Short Story Competition again this year.
Lastly, I’ve also set myself an ambitious target of writing half a century of different pieces of writing known as “The Fifty Project”.

Busy times!

5. How much research do you do?

That depends on the particular story, poem or article that I am working on at that point. I’ve undertaken all sorts of research – places visited, books devoured, buses caught, walks taken, even going so far as to deliberately poke myself in the eye to make sure that I recorded the correct resultant colours! These days, I suppose, research is a little easier with the availability of well-researched articles instantly accessible on Wikipedia and the like. They have a reasonably high degree of accuracy. I wouldn’t recommend this technique for your university essays but for when you simply need a snippet of straightforward information or clear answers – such as names of characters in mythology, etc – one can happily and rapidly research from one’s sofa. So I do.

6. Do you write full-time or part-time?

As well as writing, editing, event hosting and critically reading, I also run five creative writing groups. So, effectively, I write full time.

7. Where do your ideas come from?

This is the question that authors apparently can’t stand. However, it’s the one that interested readers usually want answered. I’ve given a few responses to this over the years. One was my story “The Ideas Mountain” in my collection “Urban Fantastic” (Crowswing Books, 2006) in which I facetiously created an actual secret mountain somewhere along the border between France and Belgium to which writers would make the occasional trek and dig out a handful of ideas to power them through their next project. Also, I have published a couple of articles such as “Birth of a Story” and “Unlikely Inspirations” which deal with specific stories. And I think that’s the answer to your question – each story has its own particular inspiration. It can be all sorts of things – a newspaper article, a conversation, my thoughts on someone’s guidelines for an anthology, a response to another artwork, something I’ve been thinking about whilst lying in bed at seven in the morning… Take your inspiration wherever you can and keep a notebook or a file on your computer along with a back-up on the memory stick.

8. How can readers discover more about you and you work?

My website is at www.allenashley.com but I have to own up that I have let it slip a little out of date. I promise to update it thoroughly very soon. There are photos, stories, quotes, links, whatever relating to me all over the internet. If you Google me, it’s “Allen Ashley” not “Ashley Allen” the ex-“Playboy” model! Or people can contact me via this address allen@allenashley.com which will forward to one of my email accounts.

musical interview to alexander zelenyj

“Songs for the Lost” was one of the best books I have read recently. Alexander Zelenyj has a complex and visionary writing and what I can say is how the book touched me for its beauty, for its insanity, for its soul, for its melancholy.

Alexander Zelenyj is a singular writer whose words beautifully crafted, with a sustained rhythm, still carries an effect, after placing the book on the shelf; he loves, clearly, pushing buttons in our brain.

1. Do you have a specific writing style?

Yes and no, I suppose. Yes, in that I think someone could recognize my writing no matter what genre or type of story it is. No, in that I actively enjoy writing in a variety of styles running the gamut from very verbose to more streamlined and minimalist.

2. What books have most influenced your life?

The dark fantasy short stories of Robert E. Howard, which was the first fiction I fell absolutely in love with as a child and without which I likely wouldn’t be doing the kind of writing I do today; early Ray Bradbury, so dark and poetic; Harlan Ellison, who showed me the limitless potential of fiction. And far too many more to list!

3. If you had to choose, which writer would you consider a mentor?

I would say Robert E. Howard, because it was in his writing that I first saw (although I didn’t realize it at the time) a seamless merging of genres. It was in his sword and sorcery stories that I first found a merging of the fantastical with realism with horror to create a very grim and believable world. Reading an REH story – especially his dark fantasy and historical fiction – I’ve always felt that anything can happen. There’s limitless potential in that kind of a story, and it’s been drawing me back into Howard’s clutches time and again since childhood.

4. What are your current projects?

I recently finished work on two manuscripts – one is a collection of magical realism-influenced literary short fiction, the other a novel much in the same vein. I’m really excited about them – I think it’s my strongest writing yet, and a lot different from my last couple of books. The prose style is a little more refined, the surreal motifs are woven into the gritty, realistic backdrop more subtly.

songs for the lost by alexander zelenyj

songs for the lost by alexander zelenyj

Also, I’m a good ways into another collection that’s a little more in line with the type of material of Songs For The Lost, very slipstream in style and pulling in influences from a lot of different genres. I’m also finishing up work on an expanded version of my first novel, Black Sunshine, scheduled for re-issue later in the year as a collaborative release from Fourth Horseman Press and Eibonvale Press, which will mark the book’s 10th anniversary.

5. How much research do you do?

I read a lot of non-fiction, and I find that this often inspires me to write fiction with certain backdrops and so forth, so in a way I’m always doing research because I’m constantly reading and learning things that often find their way into my fiction writing.

6. Do you write full-time or part-time?

I’ve made a habit of writing every day for several hours, without fail. I’ve been doing that for years so at this point it’s very natural to me. It’s like breathing, I don’t really have to think about it, it just happens as part of my regular day to day life.

7. Where do your ideas come from?

I have no idea, other than to say they come, in some form or other, from my love of stories. I’ve always loved telling stories, and being told stories, whether in the form of a book, a song, another person telling me a story from their life. Often when I sit down to write I want to convey a certain mood or atmosphere that I’m feeling particularly strongly, and I go from there, with everything else falling naturally into place from there on in.

8. How can readers discover more about you and you work?

By visiting either my website – alexanderzelenyj.com – or the websites of my publishers, Eibonvale Press – eibonvalepress.co.uk – and Fourth Horseman Press – fourthhorsemanpress.com. Or by reading one of my books!

unlikely interview to poppet

From “Moonshine Express” I already wrote…

A story, told in two hands, full of wonderful words, where each sentence is packed with poetry. The narration in the first person brings another taste to the story and the ending is not an ending, but the beginning of all – wonderful.

… it was my first contact with this writer and what contact – it burns!

Since then I’ve read other works and it has always been an enjoyable read; although I recognize that some of her stories are for a more feminine public. Is the woman inside me who is talking.

1. Do you have a specific writing style?

Yes. My style is very much an internal private monologue whilst the characters interact with the cameo and other characters. Because of this my novels are almost always written in first person.

2. What books have most influenced your life?

Horror writing has probably had the biggest impact on me. It’s odd that, because I found a medical case study on how we form memories (doing research into what I consider a form of lunacy), and the memories we don’t forget are the traumatic ones, we hardly ever remember the good times because we’re hard wired to remember the worst times. As such the fact that I can recall almost every horror novel I’ve ever read, tells me it’s the best way to influence a world. People will remember you if you’re horrific. From an early age I loved horror novels (and movies. Books like The Amityville Horror (based on a true story), then older I found Dean Koontz and Stephen King. I loved Koontz’s Phantoms, and Night Chills. However I also enjoyed action novels and the dystopian kind (like 1984 by George Orwell), I fell in love with novels like Cujo (Stephen King), The Freedom Trap (Desmond Bagley), The Omen (David Seltzer), Ninja (Eric Van Lustbader).

You can tell how old I am by the books I’ve listed here as being influential on me. At that time Jilly Cooper, Jackie Collins, Danielle Steel, and Shirley Conran, were all the rage for women to be reading (and things like Valley of the Dolls) – yet I read those books and they left zero impact. I always found books written by men, for men, far more action packed, intelligent, and engaging. I’m not dissing those other authors, they write excellent stories, but the love/scandal genre was something I only dabbled in once I hit my thirties. I found I could only write love stories in a paranormal setting, with a hint of horror in each and every one.

3. If you had to choose, which writer would you consider a mentor?

I haven’t had personal dealings with any author who ended up being a mentor, but I can say that Charles De Lint’s combining Urban Fantasy with Legend and folklore really gave me the courage to write in this genre myself. Never before had I come across an author doing what he was doing, and subsequently he became my favourite author.

4. What are your current projects?

Too many to list. Having a day job means I rarely have the time to write all the stories already begun and waiting on my computer.

poppet

5. How much research do you do?

Probably too much. I take research to the nth degree.

6. Do you write full-time or part-time?

I used to write full time and loved it, it made me so very happy, but now I only write part time as I have other responsibilities now.

7. Where do your ideas come from?

Everywhere. Anything can spark an idea, even a song. But mostly my inspiration comes from dreams. IE last night I dream I was distracting a serial killer away from my best friend and a work colleague of hers, so she could get away, and it was like being in a murder mystery because I overheard him on the phone, he’d set the whole thing up, he never wanted her after all. This was his experiment.

8. How can readers discover more about you and you work?

I have audiobooks available now, with a horror due out in March (audiobook), you can find my work in paperback and ebook format, or you can peruse my websites or my publishers websites (Wild Wolf Publishing, Thorstruck Press, Eibonvale Press). You can also follow me on Facebook for snippets from upcoming novels and new releases

https://authorpoppet.wordpress.com
http://authorpoppet.weebly.com

http://www.thorstruckpress.com
http://www.eibonvalepress.co.uk
http://wildwolfpublishing.com

https://www.facebook.com/pages/Poppet/197111090356326

what the giants were saying by david rix

What the Giants Were Saying is accompanied here by the shorter work that inspired it, Red Fire, a piece that pushes the boundaries of extreme horror into a visionary and surreal world of love and pain, great white moths and tattooed skin, and above all, into the world of story itself.

Eibonvale Press

What the Giants Were Saying, with a perfect set up and with a great structure, is a strange story about domination and guilty, about dreams and fear, about pain, about hell and anguish, about refuge: no salvation, no cure. What the Giants Were Saying is a trip in your mind. Is deep, complex and multi-layered. Lots to take in, lots to read again and enjoy.

David Rix takes things to the extreme. It’s delightful how the story constantly establishes new points without ever getting monotonous. It gets hard to believe that the ending will be able to explain everything and I start speculate about that there can only be one possible conclusion for all the events – no conclusion at all.

To me the biggest achievement of the book is, that it’s never creepy just for the sake of freaking the reader out; every line has its purpose. Nonetheless, it is a very disturbing, but also compelling and mesmerized, book.

an emporium of automata by d. p. watt

Just finishing another amazing book published by David Rix: An Emporium of Automata by D. P. Watt. A book that reminds me a quote of Dr. Who:

You want weapons? We’re in a library! Books! The best weapons in the world!

Tooth and Claw in Season 2

The books published by Eibonvale Press are beautiful weapons of ignorance destruction.

So time to read.

feather: tales of isolation and descent

What I like most about this books is that when a read it again I get new sensations, new meanings like a living organism. If I read Feather with 50 years old I will get new sensations because I have learn more of life – don’t know if making any sense – tough it does to me.

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feather in my lap

The book that send me to my childhood; and I am still immersed in the pages of Feather – I think I’ll need help to get out.

***

Sadly I finished reading Feather. Were good times spent with his words. The book is still on the bedside table for rereading.

songs for the lost by alexander zelenyj

This isn’t an opinion but a statement.

Songs for the Lost” was one of the best books I have read recently. And of course for this to have any value I will put the names of some books I read at least this year:

  • Sob o Sol Jaguar, Italo Calvino (Teorema)
  • Nove Histórias, J. D. Salinger (Quetzal Editores)
  • O Deserto dos Tártaros, Dino Buzzati (O Marcador)
  • Kafka à Beira-Mar, Haruki Murakami (Casa das Letras)

Getting Started…
I finished reading the book “Songs for the Lost” by Alexander Zelenyj, edited by Eibonvale Press, and the first conclusion I reach is that I really haven’t finished reading the book. Sounds absurd, I know. This is said because it’s a book whose words stay in memory and make me think, suddenly of some lines, of some sentences; like that melody that in the morning, for no apparent reason, does not come out of the head and is constantly being hummed.

Alexander Zelenyj is a master weaver holding me in a labyrinthine web of words – when I notice I am stuck (suspended) such as a puppet, inanimate, until the puppeteer gives me life.

songs for the lost

Alexander Zelenyj has a complex and visionary writing and here, of course, I’m not saying anything that has not already been said about him. What I can say, as a reader, and not as a literary critic, that I am not of course, is how the book touched me for its beauty, for its insanity, for its soul, for its melancholy.

The words of “Songs for the Lost” are not innocent and paraphrasing Nathaniel Hawthorne (1804-1864):“Words – so innocent and powerless As They are the standing in a dictionary, how potent for good and evil They Become in the hands of one who knows how to combine Them.” – from “Defrocking the Devil: Theology of Fear” by Thomas J Boynton.

Yes, Alexander Zelenyj is not a prolific writer, but when he writes – writes dazzling stories. Alexander Zelenyj is a writer that makes you sweat, shake your head and makes you think “what next?” at the turn of every the page. This book is really a thunderstorms of words.

To Alexander Zelenyj I just need to throw a sentence of Boris Pasternak: “Immensely grateful, touched, proud, astonished, abashed.”

Thank you.

automatic safe dog by jet mcdonald

In this, his extraordinary debut novel, Jet McDonald has created a heady brew of volatile cocktail ingredients. Madcap surreal humour blends with vicious parody of the world of work, the vanity of “Creative” types, the torments of unrequited love, animal cruelty and the excesses of consumer society. Words and sentences undergo some kind of alchemy under McDonald’s reckless stewardship, he whips them up into little frenzies like performing pooches and makes them jump through the burning hoops of our open mouths and frazzled brains. Not so much a breath of fresh air as a snort of something industrial, read this book and become initiated into a rebellion of the mind that will leave you inspired and laughing with exhilaration.

from the editor

Sense is the enemy of change and nonsense is the powder keg of disorder.

Jet McDonald

Amazing (SUPER FUNNY) story. I didn’t need to say anything about this book because Allen Ashley already did a good job in the Foreword.
OH! You don’t know what Allen said – buy the book.

thundereggs

Três thundereggs oferecidos pelo excelente David Rix da editora Eibonvale Press.

thundereggs

thundereggs

thundereggs

thundereggs

São três coisas mesmo, mas mesmo lindas.

rustblind and silverbright

There are books that I start reading with a passion that the next thing I note I’m at 30 pages from the end. So what I do? Sometimes I pause. I put it aside to perpetuate the flavor of the words any longer. This happened lately with the book Rustblind and Silverbright edited by Eibonvale Press.

I love trains and the parallel iron lines that extend across the horizon. I was born and live near the train station of Barcelos and maybe this is the reason for the fascination.
Still naughty kid, as should be any kid, I placed enormous nails in the rails as soon as I heard the whistle of the train and I expected that the iron wheels, heavy, round monsters, transform them into thin sheets of metal. I went to the rail bridge rail and thus that the train was approaching I descended some steps to the lower platform to dangerously admire the guts of the beast.

Rustblind and Silverbright is a spectacular anthology, with a special meaning for me. On a scale 1-10 I give a 20 smoothly. All stories are well balanced; discover new authors, rediscover acquaintances is always lovely, without forgetting the words of David Rix that can fascinate the fascination.

It is very difficult for me, for all this to make a consistent, articulate review. I can only say that Rustblind and Silverbright is a book I recommend, recommend and recommend.