Um clássico é um livro atemporal, que consegue sobreviver para além da época em que foi escrito. Não implica ser, necessariamente, um livro antigo, apesar de isto estar, quase, implícito, porque actualmente os livros falham em qualidade do texto. Claro que a determinação do que é belo é um juízo subjectivo do leitor, com os seus gostos e valores próprios. Mas é fácil concluir que nunca são livros vulgares, são sim livros complexos, inusitados; não que sejam difíceis de ler.
Um clássico teve e continua a ter, sempre que é lido ou relido, uma repercussão na história literária e, porque não, na cultura popular – fica gravado de uma maneira ou outra na memória colectiva pelos temas universais que geralmente abordam.
Um livro editado hoje não pode ser considerado um clássico, porque ainda não resistiu ao teste do tempo.
Numa lista simples posso colocar:
O Romance do Genji (1005-1014) de Murasaki Shikibu
Dom Quixote de la Mancha (1605-1615) de Miguel de Cervantes
Moby Dick (1851) de Herman Melville
Os Maias (1888) de Eça de Queirós
O Retrato de Dorian Gray (1891) de Oscar Wilde
Em Busca do Tempo Perdido (1913-27) de Marcel Proust
O Processo (1925) de Franz Kafka
Admirável Mundo Novo (1932) de Aldous Huxley
1984 (1949) de George Orwell
As Cidades Invisíveis (1972) de Italo Calvino
O Nome da Rosa (1980) de Umberto Eco
Memorial do Convento (1982) de José Saramago
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Livro composto por quatro excelentes contos de Oscar Wilde.
O Fantasma de Canterville
A Esfinge sem Segredo
O Crime de Lorde Arthur Savile
O Milinonário Modelo
Esta edição da Alêtheia Editores falha pela não indicação do tradutor.
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Aqui estou eu mesmo com o livro “Rubicon: Words and Art Inspired by Oscar Wilde’s De Profundis” no qual está incluída a minha história
Digo-me que esta foto está bem fixe.
Uma antologia de homenagem a Oscar Wilde.
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A edição de Rubicon: Words and Art Inspired by Oscar Wilde’s De Profundis é para mim um momento de grande satisfação, não apenas por ter uma história nesta antologia (lie down, stay, drop it, say au au), mas por Ryhs Hughes ter igualmente uma história, mas acima de tudo por que é um pequeno grande passo a nível pessoal na divulgação da minha escrita.
Posso não conseguir publicar mais nada, mas ter uma história nesta antologia é demais – Oscar Wilde é um autor que admiro desde sempre.
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Um rabisco que fiz para ilustrar a história “que ousadia!“, mas que entretanto alterei o nome para “deita,rebola, faz au au!” e que vai ser publicada numa antologia de homenagem a Oscar Wilde.
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I first met Sissy Pantelis in The Ironic Fantastic # 1, the story “Hunted”; it was love at first letter – two “first” can be a redundancy, but it was what I could write.
She creates the most charming stories that I’ve read with words that are endearing and amusing. I can feel, always, alive the sense of wonder and imagination that inhabited Sissy’s heart and mind; completely drawn into her worlds don’t knowing if I am going to cry, laugh… hypnotic and touching words she have. “How fine is the line between fantasy and reality? And if we unleash our imaginations, just how far will they take us?” – answers that can be found at Sissy’s stories.Shame on me for not knowing her soon – but the fault is all mine.
1. Do you have a specific writing style?
I always try to write clearly for the readers. My priority is to be understood – not to make beautiful, long sentences. I don’t think that my style is literary and complicated. I prefer short, clear sentences that people can understand and I try to keep writing in this style. I am also very attentive to rhythm issues – but this is something intuitive, I cannot explain it rationally. I am not good at long narratives and long and complicated descriptions, so I try to avoid them.
2. What books have most influenced your life?
Shakespeare’s Midsummer Night’s Dream. All fairy tales and mythology- maybe Hans Christian Andersen’s fairy tales more than the rest. Greek mythology and Aesope’s myths. And the Brothers Karamazov by Dostoievsky – Crime and Punishment too. When I read Dostoievsky, I felt something difficult to put in words- like an earthquake in my head. I have always loved everything by Oscar Wilde and my philosophy is very much influenced by the Tao Te Ching and the Taoist Philosophers (NOT the religion – the philosophy).
3. If you had to choose, which writer would you consider a mentor?
Oscar Wilde. Also Hans Christian Andersen (he also was a major influence for Oscar Wilde) and Shakespeare with Midsummer Night’s Dream. I have found out that many of my stories were influenced or inspired (even at a sub conscious level) by Midsummer Night’s Dream).
Blue Sparkles is a story of a cursed love. The two young lovers escape to Dreamland to be together, but even there, it seems that the curse follows them. The story is inspired by Shakespeare’s Midsummer Night’s Dream, one of the major influences on my imagination. Art in Blue Sparkles is by wonderful French artist Aurore Barois (aka VURORE).
Sissy Pantelis
Red Nightmare is a story about change and its consequences. It is a story of a cruel king, who decides to change after a hallucination he has while he visits a witch (whom he tortures at first). It is also about being at peace with your own self, about inner harmony. I found out that it was a very important thing and maybe one of the most difficult tasks one can attempt in his lifetime. Now, Red Nightmare is NOT a philosophy book; it is a fairy tale featuring anthropomorphic animals. As all my stories, it is first aimed to entertain and make readers dream. But change has always been an important factor in my life and the main theme of this story is change. The artist working on this story is Italian artist Danilo Antoniucci. I am extremely happy and honored that Danilo accepted this collaboration. I love his art, but I am not the only one to admire Danilo’s talent, so he has a lot of work with his own comics and I can only be grateful that he also works with me.
Sissy Pantelis
Dark Siren is the story of a young girl that discovers that she has a wonderful gift, but her gift can harm other people – especially those who offend her. The young girl is scared, so she leaves her home fearing she may inadvertently harm her family. Then she finds out that she is not alone to possess that kind of poisonous gift. Dark Siren is a special story to me. First, there is something of me in the main character of the story. For a long while, I thought that dreaming and writing was a sort of curse cast on me… To come back to Dark Siren, my young niece helped me a lot in making the story and gave me many ideas for the plot; that was a wonderful experience. And last (but not least), the artist working on this story is José Leonardo aka The Chulo. José is from Colombia and his style is very special. I believe that José has really given this story another dimension. He is extremely gifted and he is now also working on the characters of a movie (by the people who did How to Train Your Dragon).
Sissy Pantelis
I have other projects- among other things, I have one or two novels in mind, but that will be for much later so we would rather speak about them in the future than now.
5. How much research do you do?
Quite a lot actually. Most of my stories are pure fantasy and the true things in them are very few, but I need to do a lot of research to get inspiration.
6. Do you write full-time or part-time?
I write full time and I don’t wish to change this – writing is a passion and doing something else at the same time is a big mistake, I found out at a great cost a few years back.
7. Where do your ideas come from?
I am not sure. Sometimes from fairy tales; but I also get a lot of ideas by listening to music or through my dreams!!! 🙂
8. How can readers discover more about you and you work?
If you want to follow my work, you are welcome to follow any of those pages and I am always happy to see comments and answer any questions of the readers.
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